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Sonido 13
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900〔Randel, Don Michael, ed. (1996). "Carrillo (Trujillo), Julián (Antonio)", ''The Harvard Biographical Dictionary of Music'', p.138. ISBN 0-674-37299-9.〕 and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale."〔Slonimsky, Nicolas (1945). ''Music of Latin America'', p.229. 1972 ISBN 9780306711886. Cited in Bethell (1998), p.95.〕 Carrillo developed this theory in 1895〔Malmström, Dan (1974). ''Introduction to Twentieth Century Mexican Music'', p.34-36. ISBN 91-7222-050-3.〕 while he was experimenting with his violin. As he placed his finger over a violin string, he noticed that he could produce different sounds than the ones defined by musical convention. This way, he realized that the string could be divided into an infinite number of pitches, creating many more possibilities for music composition. Though he became internationally recognized for his system of notation, it was never widely applied.〔 His first composition in demonstration of his theories was ''Preludio a Colón'' (1922).〔
The Western musical convention up to this day divides an octave into twelve different pitches that can be arranged or tempered in different intervals. Carrillo termed his new system Sonido 13, which is Spanish for "Thirteenth Sound" or Sound 13, because it enabled musicians to go beyond the twelve notes that comprise an octave in conventional Western music.
Julián Carrillo wrote: "The Thirteenth Sound will be the beginning of the end and the starting point of a new musical generation coming to transform everything."
==History==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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